Showing posts with label strong supernatural heroine. Show all posts
Showing posts with label strong supernatural heroine. Show all posts

9/13/2012

Buffy the Vampire Slayer (1997) Review

Buffy the Vampire Slayer (1997)
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Most serious fans of BUFFY THE VAMPIRE already own all of the individual sets that make up this DVD collection, so I thought I would address this review to those who own none of them and will make up the primary target for this set and focus on two questions. First, how does this set differ from the individual season collections? The answer is that they are identical. This set does not represent a new product in any way, but merely collects all of the seasons in a new, low price. If you don't own any of the individual seasons, this is an absolutely ideal way to discover the Buffyverse. Second (and for me this is the fun part), what's this Buffy chick all about?
What sets BUFFY THE VAMPIRE SLAYER apart from most other shows, apart from the individual brilliant scripts that graced most of the episodes, is that the show over the course of seven seasons tells a story. What the casual viewer of the show could easily miss is the semi-tragic themes underlying the series: young, happy cheerleader and inevitable prom queen is pulled away by destiny from the life she loves to unwillingly undertake the burden of being her generation's Chosen One: a super-empowered heroine to fight against the powers of darkness. This is a responsibility she has neither sought nor desired, and one of the persistent themes of the show is that destiny basically dealt Buffy a nasty set of cards. Sure, she has super strength and agility and recuperative powers, but she also knows how she became The Slayer: someone else died. For one becomes the Slayer only by the death of another Slayer, which calls attention to the fact that she, too, is destined to die to make way for another Slayer. As she puts it in one episode, "Every slayer comes with an expiration date." She goes from a carefree, happy young girl to someone who wonders if she will make it to the age of 25.
Ultimately, however, the show isn't about a girl with super powers, but about taking responsibility for one's life, for accepting the cards that life has dealt one and making the most of that. Over the course of seven seasons all of the major characters struggle with this precise issue. All of them continually have to face up to the demands of the moral, and what is unusual for a genre show, they all have to work hard to be better people. More than about fighting vampires, the show is ultimately about the fighting of one's inner demons, with the external monsters being mere metaphors for that which lies within. As a result, all of the major characters changed dramatically over the course of seven seasons.
A second great theme of the show is that of community. The show actually contains a bit of a lie in the famous opening words that introduced the show in the first season: it says that unto each generation a Slayer is born and that SHE ALONE possesses the strength to fight the vampires and demons. Only, that isn't at all the case on the show. In fact, Buffy becomes less, not more, effective when she becomes a loner. As Spike, an evil vampire who has killed two Slayers in the past, said at the beginning of Season Two: "A Slayer with family and friends. That sure as hell wasn't in the brochure." And it isn't! Says so right at the beginning of the show. The Intro should read "She and her extensive support network" will fight the demons. And showing that no one understands this better than Spike, in Season Four he attempts to help a demon destroy the Slayer by sowing discord among the Scoobies, as the demon fighting buddies referred to themselves (this was before Sarah Michelle Gellar's unfortunate forays into the SCOOBY DOO movies). He fails when the four key members respond by forging a stronger bond than ever.
Over the seven seasons, Buffy struggles constantly against her destiny, initially fighting and resisting it, gradually accepting it, frequently resenting it, and eventually embracing it before the magnificent resolution in the final episode. While there is always only one Slayer (though on Buffy, there are two, but that is a different though very interesting story), there are always many potential Slayers. In the final episode of the series, Buffy realizes how they can make all the potential Slayers into actual Slayers, and after they do so they are able to defeat the baddies and save the world from evil, again. In literally the last five seconds of the series, Faith, the other Slayer, asks Buffy what she's going to do now that she's no longer the only Slayer. In a beautiful resolution of the central tragedy in the series, a blissful, contented, expectant smile breaks out over Buffy's face. Her life has been given back to her. The expiration date has been repealed.
Those who have only occasionally dipped into the show will not be able to appreciate how brilliantly written the show is. It is as if every individual writer knew every other line ever written in the show, and the result is a self-consciousness in the series that is highly unusual for TV. At the very end of Season Six, for instance, Buffy's best friend Willow utters the words, "Bored now," which is not merely a reference to something she said in Season Three, but brilliantly explains where her character is at that point in the show. The scripts are, in my opinion, simply the best TV has ever seen. They are dramatic, they are believable (astonishing in a show about vampires), they are profoundly emotional, and they are funny. In fact, the show really did manage to be several things at once. I think this ability to stride several fences is one of the reasons why BUFFY, though easily the finest show on television for most of its run, never won or even received an Emmy nomination for Best Show. Should it have been nominated as Best Drama or Best Comedy? (The complete neglect by the extraordinarily conservative Emmys of BUFFY has inspired Salon to create a new TV award, the Buffy, for the most unjustly neglected show on TV, with THE WIRE as the first recipient.)
The writing really was the key. I don't want to imply that other things weren't done as well. Though not one of the great casts in TV history, all of the actors did a great job and there were some truly memorable characters, from Buffy to Willow, Xander, Spike, Giles, Cordy, Anya, and Angel (who went on to star in his own spin off). The sets were always first rate and it was one of the few shows on TV to have its own utterly unique look, merely from the lighting and camerawork. Speaking of camerawork, few TV shows have ever taken so much care with the way scenes were shot. There was even their own unique blend of camp. For instance, fighting vampires is tough work, but Buffy inevitably went on patrol wearing some incredibly stylish outfits. My favorite is when she goes to the graveyard in Season Six wearing an ankle length white cashmere duster. I'm sure anyone about to engage in physical combat would decide to wear such an expensive and delicate item. But as good as all of these elements were, it all came in the end back to the writing. The show was brilliantly written on multiple levels. Many of the episodes were astonishingly good, but within them the individual lines were simply astonishing. I have many shows that I love, but in the history of television there are only two that contains dozens of lines that I can recall with ease: MONTY PYTHON and BUFFY THE VAMPIRE SLAYER. But apart from the individual episodes and the huge panoply of memorable lines, the seasons were almost always well conceived and executed. And even when individual seasons contained flaws in their, such as Seasons 4 and 7, these were more than made up for by the way they all fit into a larger story.
In the end, no series that I know of had a better story to tell than BUFFY. As much as I loved THE X-FILES, the series was always better on the individual episode level than it was as a whole. Lone episodes of THE X-FILES are as good as any in the history of TV, but the deep back story by the end of the series ended up being more than a little muddled and incomplete. When BUFFY ended, there was a single brilliant and marvelously develop tale of a young girl who was forced to give up her life for the greater good, but who in the end managed to get her life back again. I honestly believe that BUFFY will be the gold standard for television shows in the future. It has raised the bar for what can be done and should be done on television, so in the end Buffy might not have saved the world from the powers of evil; she just might have saved television as well.

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*Seasons 1-7 on each discBonus Disc: **Introduction by Joss Whedon **Back to the Hellmouth:A Conversation with Creators and Cast **Breaking Barriers:It's Not a Chick Fight Thing **Love Bites:Relationships in the Buffyverse **Evil Fiends **Buffy: An Unlikely Role Model **Buffy Cast and Crew:Favorite Episodes

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6/11/2012

Buffy the Vampire Slayer - The Complete Second Season (1997) Review

Buffy the Vampire Slayer - The Complete Second Season (1997)
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The second season continued one what was successfully started in the first season. The second season is a lot more ambitious (remember, the first season only had twelve episodes, unlike the rest which had 22).
The story arcs in the second season are brilliant. The romance between Angel and Buffy reached gothic heights with Surprise/Innocence (Surprise is astonishing). When Angel turns bad, David Boreanaz manages to do a sensational job of acting the transition (the episodes "Passion" and "I Only Have Eyes For You" are incredible in detailing this, and Buffy's reaction). Willow's romance with Oz is wonderful, and Giles attachment to Jenny Calendar a welcome addition.
This show still manages to be surprisingly funny (as seen in Halloween, and Bewitched Bothered and Bewildered) and packs a wallop (the two part season ender, Becoming I & II, are essential viewing for any Buffy fans. They are incredibly moving). Yes, there are some clunkers (Killed by Death, Bad Eggs), but they are more than redeemed.
My favourites are: Becoming I & II, Surprise/Innocence, I Only Have Eyes for You, Passion, School Hard, When She Was Bad, and Lie To Me
For a show set in high school, the writers have neatly side-stepped making a caricature of Anthony Stewart Head's librarian/Watcher Giles. His befuddled sexiness is immensely appealing. Alyson Hannigan's performance as wallflower Willow blooming into a witch (her growing powers are smartly charted by writers all the way through season six) is strong, and having the animosity between Xander and Cordelia boil over into lust was a masterstroke. Finally, we have to give the star her due. Sarah Michelle Gellar proved with this season that she's actually a capable actress, both with comic timing (Halloween) and pathos (Surprise/Innocence).
The second season was an immense improvement over the first season (a solid debut) and the quality continues. In my mind, the second and third season need to be bought together (or at least both bought). Story arcs introduced in the second season are wrapped up in the third season. Buy this set, you won't be disappointed.

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THE CHOSEN ONE HAS ONLY JUST BEGUN... Now you can own the entire second season of BUFFY THE VAMPIRE SLAYER. All 22 classic episodes are available for the first time in this exclusive 6-disc collectorÂ's edition.From Â"When She Was Bad,Â" Â"SurpriseÂ" and Â"Innocence,Â" to Â"PassionÂ" and Â"Becoming, Part OneÂ" and Â"Becoming, Part Two,Â" these Season Two episodes are a must for every true Buffy fan.

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5/28/2012

Buffy The Vampire Slayer - The Complete Sixth Season (1997) Review

Buffy The Vampire Slayer - The Complete Sixth Season (1997)
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Season Six, to alot of fans, was a disaster train wreck! But don't be fooled by their analysis of this season because its one of the best seasons ever of "Buffy the Vampire Slayer"! This is the season that took risks, and triumphed unnoticed by the fans, except a few. This season is misunderstood by many who first viewed it and therefore they disliked it, just like they disliked the final season,(Season Seven), but it wasn't because of the stories of this season, it was the gap of broadcasting that ruined the flow of the storyline, and therefore, this season needs another glance again, without interruption, and you'll understand what the point of this season was all about.
Many say it was dark, and yes it was the darkest feeling season since Season Two, and later Season Seven, but life itself, can get dark sometimes, and this was the point the series 6th year was trying to point out. If you've noticed, every season's theme has a metaphor in them, and this year was having the Scooby Gang bracing their darkest storm that could be thrown at them.
How is that? You may say, well, I'll tell you...
Ever since the very first episode, we've grown to love these wacky fun loving kids! In the First Season, it was the introduction period, the Slayer, her Watcher and friends gathering in the library, fighting monster of the week big baddies, along with school issues every teenager at one time or another will find theirselves in, plus a trial of a Slayer. In the Second Season it grew larger, they had to battle not only school, but love hormones, a lover gone bad, new annual baddies, like Spike and Drusilla,and the death of a close one, and trials of a Slayer. In the Third Season, still it was school, a rogue Slayer named Faith, a baddie named "the Mayor", and trials of departing loves and trials of a Slayer. The Fourth Season was college life, new baddie named Adam, and a government containment place for studies of demons, and again trials of a Slayer. The Fifth Season was departure childhood, going into adulthood, and fighting a big baddie named Glory, and the death of a dear one they'd miss forever, and also introduction of a sister. And now Season Six takes them farther, somewhere that the Scoobies had never faced before....and that was "life"!
Every year they've faced bad things, but they were never in a position of being left alone, to survive on their own, and to be a grown up. Someone here mentioned that its been six years later since they started their adventures, and that they were adults now, and they needed to center their lives as adults, and that person was right. It was time to move onward, brace whats ahead, no matter what lie uncharted. We had to see how these characters would react, if they were put in a position to where they'd hit rock bottom, to see how they'd reach the top again, to see really, how much strength they really have, besides magic, or mysttical slayer powers, and thats the storm one must face, to overcome their trials with triumph.
In this season, Buffy had to quit her hopes of returning to college, and get a real life job to pay the bills, make sure Dawn doesn't get taken away from her care, and at one point, she comments that her mother was the super woman of the family on how she couldn't believe she could do all the stuff that Joyce did! Xander has to confront the word "commitment" as he gets prepared to marry the woman he loves, and Willow has to overcome her craving for magic, which she deals with throughout the season by trying to give it up. The point, they each failed, they hit the bottom of the boat, as Buffy fell into depression, had an affair with Spike, (who in this season overcomes some major points in his life too), Xander's fear of turining into his father, leaves him leaving Anya at the altar, later turning her in the way of vengeance again, and Willow, she gets the sour lemon, as she gains Tara back,(who left her because of Willow's crave of magic), but she also loses Tara in the one of the most vicious and real murders of the series, which drives Willow into becoming evil with rage, and almost destroying the world. At the end of the season, all of them faces their problems, and they begin the start of rebuilding what they lost as they hit rock bottom througthout the season, as Buffy and Spike seperate, he goes to get a soul, she tries to tear down her gap with Dawn that they made during the season, and Xander and Willow come to terms with theirselves as they each step out of the eye of their own inner demons, their storms!
Note:
This season has great episodes! There's "Bargining", "Once More,With Feeling", "Dead Things", "Normal Again", "Seeing Red", and "Villains" to "Two to Go' & 'Grave". Each actor portrailed each character to heart so much, that their feelings grabbed ahold to you, as if you were the one's who were going through them as well! Also,do know that this season is *very graphical* in some scenes, this was the most *provocative season* in the series whole 7 year run. There is a few gruesome scenes in some episodes, and some very [physical] in tone,(especially with the Spike and Buffy, and Willow and Tara romantic storylines), but they were to make a point, that was needed for the story of the season.
It's a great and wonderful, powerful season,with a powerful message that was overlooked, this season took dangerous risks, and truimphed with their goal. Also know that this season is the *only* season that centers the Slayer and the Scooby Gang around the true hard cold life that we all may face once we reach adulthood, if not already. Many fans should charish this season to heart, it was indeed an unheard, unreconized, classic season for the series! I love this season! Enjoy, you won't regret it!

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Elated with having Buffy back from the dead, her friends never wonder if she may have been in a better place. Only Spike knows the truth and as Buffy struggles to readjust to life, she begins a relationship with Spike that torments her as much as it brings her fleeting comfort. Yet even as Buffy fears that the magic that brought her back has somehow changed her, Willow's growing reliance on magic is an addiction she can barely control - and one that threatens everyone.

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5/24/2012

Buffy The Vampire Slayer - The Complete First Season (1997) Review

Buffy The Vampire Slayer - The Complete First Season (1997)
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For a first time screenwriter, Joss Whedon's "Buffy the Vampire Slayer" was a good effort for a feature film. I thought for sure the series was going to tank. When I started watching halfway through the first season, I quickly found that I was wrong. "Buffy" simply blossoms on television. I've been hooked ever since.
For the first time, Whedon has provided us with all the terrors of high school (remember those?) in a horror genre setting. Not only that, but he provides a confident, cool FEMALE character to trounce the bad guys. Whether you're a fan of the genre or a teenage feminist, Buffy (Sarah Michelle Gellar) provides a niche for the unpopular misfits in high school, but looks upon them as heroes. Were you as uncomfortable as Xander (Nicholas Brendon)? As geeky as Willow (Alyson Hannigan)? As quick with an aphorism as Oz (Seth Green)? The series proves that high school is indeed survivable no matter who you are, even if you're cliquish Cordelia (Charisma Carpenter). And in the end, the more unpopular you were - possibly the more important you were to your teenage community.
Mix in your favorite teacher (or librarian) played by Anthony Stewart Head (who should play "Doctor Who" after he's done with "Buffy") to be the requisite horror genre British pseudo-scientist, and Buffy's single mom (Kristine Sutherland) and you're all set to go with the most intelligent sci-fi TV series possibly written for this age group. (The next closest thing being the intelligent, yet non-sf "Freaks & Geeks".)
I'm not kidding. It's amazing how quickly these characters grow in the first season and their responses remain true to life despite the extraordinary situations they're thrown into. Creator Joss Whedon has become one of the most talented writer/directors working in the industry today, despite the fact that "Buffy" is most of what he's been doing for the last five years.
As far as what you get in this box set, you're in for a treat. This is the full first season, not just the half previously released on VHS; including the season finale "Prophecy Girl" - where we see just how heroic Buffy really is, despite her adolescence and fear of death. Also present throughout the series are teenage issues of emotional/sexual conflict ("Teacher's Pet") and problems with acceptance ("The Pack"). Specific highlights also include Whedon's commentary for the two part premiere as well as the first appearances of Angel (David Boreanaz) and Jenny Calendar (Robia LaMorte).
Remember, Buffy's not JUST about vampires. In fact I think it's safe to say that vampires are secondary to the emotional undercurrent of the show, if not a particular episode's plot. Forget "Felicity" and shove off of "Dawson's Creek", this is the one for the adults.

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INTO EACH GENERATION A SLAYER IS BORN. Now you can own the entire first season of BUFFY THE VAMPIRE SLAYER. All 12 classic episodes are available for the first time in this exclusive 3-disc collector's edition.From "Welcome to the Hellmouth," "The Harvest" and "Angel" to "Nightmares," "Out of Mind, Out of Sight" and "Prophecy Girl," these Season One episodes are a must for every true Buffy fan.

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4/29/2012

Buffy The Vampire Slayer - Volume 1 - Bad Girls/Consequences (1997) Review

Buffy The Vampire Slayer - Volume 1 - Bad Girls/Consequences  (1997)
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Faith was always an edgy character from the moment she was introduced on Buffy the Vampire Slayer. In "Bad Girls" she takes the first step over the edge and in "Consequences" she actually joins the forces of evil in Sunnydale by allying with the Mayor. However, the most memorable sequence on this entire tape is when Buffy and Faith are dancing together at the Bronze in "Bad Girls." That alone is worth purchasing this tape.

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1/16/2012

Buffy the Vampire Slayer - The Complete Fourth Season (Slim Set) (1997) Review

Buffy the Vampire Slayer  - The Complete Fourth Season (Slim Set) (1997)
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In Season Three of "Buffy the Vampire Slayer" Joss Whedon and the show's writers proved that the series could survive Buffy killing Angel. For Season Four the task was to prove that "BtVS" could survive losing Angel, Cordelia, and Wesley, who were spun off into their own film noir vampire detective series. The surprising success of their effort is displayed in "Buffy the Vampire Slayer: The Complete Fourth Season," a season that is more impressive with each viewing.
When last we left our heroes most of them had just survived graduating from high school. Now Buffy (Sarah Michelle Gellar), Willow (Alyson Hannigan), and Oz (Seth Green) are off to UC-Sunnydale while Xander (Nicholas Brendon) tries to survive in the real world and Giles (Anthony Stewart Head) twiddles his thumbs in his apartment. Instead of the "high school is hell" idea, the underlying symbolism of the season is now the brave new world of college. Buffy has moved out of the house to live in the college dorm (surprising), but with somebody other than Willow (more surprising), and is trying to move beyond Angel (sad, but not surprising). After a dalliance with Parker Abrams (Adam Kaufman), the personification of that horrible "transition" person your friends always warned you about after your first big breakup, Buffy hooks up with clean-cut Iowa farm boy Riley Finn (Marc Blucas), charming psychology graduate assistant by day, Initiative super-soldier by night.
By now we are familiar with the double-story arc structure of a "BtVS" season. For Season Four the first half story arc has to do with the mystery of the Initiative, while the second half is the confrontation with Adam. More importantly, there are several monumental character changes inspired by the desire to keep a couple of actors and the decision of another cast member to leave. Wanting to keep James Marsters around, the idea of putting that bloody chip in Spike's head, neutering the vampire when it comes to putting the bite on human beings, was a masterstroke (and, dare I say, surprising). Suddenly, Spike is a de facto Scooby. Meanwhile, with Emma Caulfield sticking around as Anya, she becomes the show's comic relief in place of her boyfriend Xander. Then, when Seth Green left the show to concentrate on films, what we thought was an offhanded comment in "Doppelgangland" suddenly comes to fruition for Willow when she meets Wicca wannabee Tara (Amber Benson). All of these changes end up having much more significant impacts on the show than the addition of Riley Finn as Buffy's new love interest.
Season Four begins with a lot of interpersonal issues, from trouble with dorm mates ("Living Conditions") to getting dumped ("The Harsh Light of Day," "Wild at Heart"), before getting caught up in the mystery of all those soldier types running around the campus in the dark ("The Initiative"). Buffy and Riley finally discover the truth about each other in the landmark episode "Hush," the only episode ever to earn Joss Whedon a well deserved Emmy nomination for Best Writing of a Drama (insert outrage over snubs of "The Body" and "Once More With Feeling" here, please). The second half of the season finds Riley learning to work with Buffy ("Doomed") and Buffy enjoying working with the Initiative ("A New Man") before Professor Maggie Walsh (Lindsay Crouse) tries to kill her ("The I in Team") and her stitched together uber-demon Adam (George Hetzberg) breaks free and sets up the final confrontation ("Primeval").
Ultimately, the strength of a season is judged by the episodes that are essentially off the main story arcs. For Season Four this means a Halloween episode with one of the best punch lines ever ("Fear, Itself"), the great Buffy and Faith mind-switch ("This Year's Girl" and "Who Are You?"), the discovery that the coolest and most important in the world is Jonathan Levenson ("Superstar"), and the hilarious insanity of Willow's wish list ("Something Blue"). Of course on that last episode once again the joke is on us as the alternative reality give us a preview of what is to come down the road. One of the most unique aspects of this season was that the climatic battle with the year's big bad happens in the penultimate episode and the season finale, "Restless," serves as an actual epilogue as Buffy and friends encounter the First Slayer (Sharon Ferguson), and sets the stage for significant develops to come.
The fact that Season Two ended with the greatest episode ever of "Buffy the Vampire Slayer" in "Becoming, Part II," when Buffy has to kill Angel to save the world, obscures the fact that on balance Season Three and Season Four were both stronger seasons overall. The operatic finales might not reach the same heights, but the lows are higher and the on average score is higher. The worst episode of Season Four is probably the season premier, "The Freshman," which suffers because like all first episodes in a season of "BtVS" the goal is to have Buffy rededicate herself to being the Slayer so that new viewers can feel like they understand the gig. If anything, Season Four reaffirms that the strength of this show is character development and not just vampire slaying.
Final Comment: It is nice to see that the extras for Season Four contain twice as many commentary tracks as we have been privy to for each of the previous three collections. In a perfect world it would be great if all of the episodes had commentary, provided by shifting tag-team combinations of writers and actors, in the tradition of the very early episodes of "Farscape" on DVD, but I have long had the feeling that the cast of "BtVS" is rather intimidated by the encyclopedic knowledge of the show enjoyed by its fan base.

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Buffy begins college feeling completely overwhelmed. But once the monsters show up, its just like old times. Then she starts dating Riley, a handsome commando battling the same monsters. He's a part of a secret organization called The Initiative and Buffy is all too happy to join the team. But she soon suspects The Initiative maybe more dangerous than the monsters they are supposed to be battling...

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