Showing posts with label david boreanaz. Show all posts
Showing posts with label david boreanaz. Show all posts

9/13/2012

Buffy the Vampire Slayer (1997) Review

Buffy the Vampire Slayer (1997)
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Most serious fans of BUFFY THE VAMPIRE already own all of the individual sets that make up this DVD collection, so I thought I would address this review to those who own none of them and will make up the primary target for this set and focus on two questions. First, how does this set differ from the individual season collections? The answer is that they are identical. This set does not represent a new product in any way, but merely collects all of the seasons in a new, low price. If you don't own any of the individual seasons, this is an absolutely ideal way to discover the Buffyverse. Second (and for me this is the fun part), what's this Buffy chick all about?
What sets BUFFY THE VAMPIRE SLAYER apart from most other shows, apart from the individual brilliant scripts that graced most of the episodes, is that the show over the course of seven seasons tells a story. What the casual viewer of the show could easily miss is the semi-tragic themes underlying the series: young, happy cheerleader and inevitable prom queen is pulled away by destiny from the life she loves to unwillingly undertake the burden of being her generation's Chosen One: a super-empowered heroine to fight against the powers of darkness. This is a responsibility she has neither sought nor desired, and one of the persistent themes of the show is that destiny basically dealt Buffy a nasty set of cards. Sure, she has super strength and agility and recuperative powers, but she also knows how she became The Slayer: someone else died. For one becomes the Slayer only by the death of another Slayer, which calls attention to the fact that she, too, is destined to die to make way for another Slayer. As she puts it in one episode, "Every slayer comes with an expiration date." She goes from a carefree, happy young girl to someone who wonders if she will make it to the age of 25.
Ultimately, however, the show isn't about a girl with super powers, but about taking responsibility for one's life, for accepting the cards that life has dealt one and making the most of that. Over the course of seven seasons all of the major characters struggle with this precise issue. All of them continually have to face up to the demands of the moral, and what is unusual for a genre show, they all have to work hard to be better people. More than about fighting vampires, the show is ultimately about the fighting of one's inner demons, with the external monsters being mere metaphors for that which lies within. As a result, all of the major characters changed dramatically over the course of seven seasons.
A second great theme of the show is that of community. The show actually contains a bit of a lie in the famous opening words that introduced the show in the first season: it says that unto each generation a Slayer is born and that SHE ALONE possesses the strength to fight the vampires and demons. Only, that isn't at all the case on the show. In fact, Buffy becomes less, not more, effective when she becomes a loner. As Spike, an evil vampire who has killed two Slayers in the past, said at the beginning of Season Two: "A Slayer with family and friends. That sure as hell wasn't in the brochure." And it isn't! Says so right at the beginning of the show. The Intro should read "She and her extensive support network" will fight the demons. And showing that no one understands this better than Spike, in Season Four he attempts to help a demon destroy the Slayer by sowing discord among the Scoobies, as the demon fighting buddies referred to themselves (this was before Sarah Michelle Gellar's unfortunate forays into the SCOOBY DOO movies). He fails when the four key members respond by forging a stronger bond than ever.
Over the seven seasons, Buffy struggles constantly against her destiny, initially fighting and resisting it, gradually accepting it, frequently resenting it, and eventually embracing it before the magnificent resolution in the final episode. While there is always only one Slayer (though on Buffy, there are two, but that is a different though very interesting story), there are always many potential Slayers. In the final episode of the series, Buffy realizes how they can make all the potential Slayers into actual Slayers, and after they do so they are able to defeat the baddies and save the world from evil, again. In literally the last five seconds of the series, Faith, the other Slayer, asks Buffy what she's going to do now that she's no longer the only Slayer. In a beautiful resolution of the central tragedy in the series, a blissful, contented, expectant smile breaks out over Buffy's face. Her life has been given back to her. The expiration date has been repealed.
Those who have only occasionally dipped into the show will not be able to appreciate how brilliantly written the show is. It is as if every individual writer knew every other line ever written in the show, and the result is a self-consciousness in the series that is highly unusual for TV. At the very end of Season Six, for instance, Buffy's best friend Willow utters the words, "Bored now," which is not merely a reference to something she said in Season Three, but brilliantly explains where her character is at that point in the show. The scripts are, in my opinion, simply the best TV has ever seen. They are dramatic, they are believable (astonishing in a show about vampires), they are profoundly emotional, and they are funny. In fact, the show really did manage to be several things at once. I think this ability to stride several fences is one of the reasons why BUFFY, though easily the finest show on television for most of its run, never won or even received an Emmy nomination for Best Show. Should it have been nominated as Best Drama or Best Comedy? (The complete neglect by the extraordinarily conservative Emmys of BUFFY has inspired Salon to create a new TV award, the Buffy, for the most unjustly neglected show on TV, with THE WIRE as the first recipient.)
The writing really was the key. I don't want to imply that other things weren't done as well. Though not one of the great casts in TV history, all of the actors did a great job and there were some truly memorable characters, from Buffy to Willow, Xander, Spike, Giles, Cordy, Anya, and Angel (who went on to star in his own spin off). The sets were always first rate and it was one of the few shows on TV to have its own utterly unique look, merely from the lighting and camerawork. Speaking of camerawork, few TV shows have ever taken so much care with the way scenes were shot. There was even their own unique blend of camp. For instance, fighting vampires is tough work, but Buffy inevitably went on patrol wearing some incredibly stylish outfits. My favorite is when she goes to the graveyard in Season Six wearing an ankle length white cashmere duster. I'm sure anyone about to engage in physical combat would decide to wear such an expensive and delicate item. But as good as all of these elements were, it all came in the end back to the writing. The show was brilliantly written on multiple levels. Many of the episodes were astonishingly good, but within them the individual lines were simply astonishing. I have many shows that I love, but in the history of television there are only two that contains dozens of lines that I can recall with ease: MONTY PYTHON and BUFFY THE VAMPIRE SLAYER. But apart from the individual episodes and the huge panoply of memorable lines, the seasons were almost always well conceived and executed. And even when individual seasons contained flaws in their, such as Seasons 4 and 7, these were more than made up for by the way they all fit into a larger story.
In the end, no series that I know of had a better story to tell than BUFFY. As much as I loved THE X-FILES, the series was always better on the individual episode level than it was as a whole. Lone episodes of THE X-FILES are as good as any in the history of TV, but the deep back story by the end of the series ended up being more than a little muddled and incomplete. When BUFFY ended, there was a single brilliant and marvelously develop tale of a young girl who was forced to give up her life for the greater good, but who in the end managed to get her life back again. I honestly believe that BUFFY will be the gold standard for television shows in the future. It has raised the bar for what can be done and should be done on television, so in the end Buffy might not have saved the world from the powers of evil; she just might have saved television as well.

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*Seasons 1-7 on each discBonus Disc: **Introduction by Joss Whedon **Back to the Hellmouth:A Conversation with Creators and Cast **Breaking Barriers:It's Not a Chick Fight Thing **Love Bites:Relationships in the Buffyverse **Evil Fiends **Buffy: An Unlikely Role Model **Buffy Cast and Crew:Favorite Episodes

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6/11/2012

Buffy the Vampire Slayer - The Complete Second Season (1997) Review

Buffy the Vampire Slayer - The Complete Second Season (1997)
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The second season continued one what was successfully started in the first season. The second season is a lot more ambitious (remember, the first season only had twelve episodes, unlike the rest which had 22).
The story arcs in the second season are brilliant. The romance between Angel and Buffy reached gothic heights with Surprise/Innocence (Surprise is astonishing). When Angel turns bad, David Boreanaz manages to do a sensational job of acting the transition (the episodes "Passion" and "I Only Have Eyes For You" are incredible in detailing this, and Buffy's reaction). Willow's romance with Oz is wonderful, and Giles attachment to Jenny Calendar a welcome addition.
This show still manages to be surprisingly funny (as seen in Halloween, and Bewitched Bothered and Bewildered) and packs a wallop (the two part season ender, Becoming I & II, are essential viewing for any Buffy fans. They are incredibly moving). Yes, there are some clunkers (Killed by Death, Bad Eggs), but they are more than redeemed.
My favourites are: Becoming I & II, Surprise/Innocence, I Only Have Eyes for You, Passion, School Hard, When She Was Bad, and Lie To Me
For a show set in high school, the writers have neatly side-stepped making a caricature of Anthony Stewart Head's librarian/Watcher Giles. His befuddled sexiness is immensely appealing. Alyson Hannigan's performance as wallflower Willow blooming into a witch (her growing powers are smartly charted by writers all the way through season six) is strong, and having the animosity between Xander and Cordelia boil over into lust was a masterstroke. Finally, we have to give the star her due. Sarah Michelle Gellar proved with this season that she's actually a capable actress, both with comic timing (Halloween) and pathos (Surprise/Innocence).
The second season was an immense improvement over the first season (a solid debut) and the quality continues. In my mind, the second and third season need to be bought together (or at least both bought). Story arcs introduced in the second season are wrapped up in the third season. Buy this set, you won't be disappointed.

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THE CHOSEN ONE HAS ONLY JUST BEGUN... Now you can own the entire second season of BUFFY THE VAMPIRE SLAYER. All 22 classic episodes are available for the first time in this exclusive 6-disc collectorÂ's edition.From Â"When She Was Bad,Â" Â"SurpriseÂ" and Â"Innocence,Â" to Â"PassionÂ" and Â"Becoming, Part OneÂ" and Â"Becoming, Part Two,Â" these Season Two episodes are a must for every true Buffy fan.

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5/24/2012

Buffy The Vampire Slayer - The Complete First Season (1997) Review

Buffy The Vampire Slayer - The Complete First Season (1997)
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For a first time screenwriter, Joss Whedon's "Buffy the Vampire Slayer" was a good effort for a feature film. I thought for sure the series was going to tank. When I started watching halfway through the first season, I quickly found that I was wrong. "Buffy" simply blossoms on television. I've been hooked ever since.
For the first time, Whedon has provided us with all the terrors of high school (remember those?) in a horror genre setting. Not only that, but he provides a confident, cool FEMALE character to trounce the bad guys. Whether you're a fan of the genre or a teenage feminist, Buffy (Sarah Michelle Gellar) provides a niche for the unpopular misfits in high school, but looks upon them as heroes. Were you as uncomfortable as Xander (Nicholas Brendon)? As geeky as Willow (Alyson Hannigan)? As quick with an aphorism as Oz (Seth Green)? The series proves that high school is indeed survivable no matter who you are, even if you're cliquish Cordelia (Charisma Carpenter). And in the end, the more unpopular you were - possibly the more important you were to your teenage community.
Mix in your favorite teacher (or librarian) played by Anthony Stewart Head (who should play "Doctor Who" after he's done with "Buffy") to be the requisite horror genre British pseudo-scientist, and Buffy's single mom (Kristine Sutherland) and you're all set to go with the most intelligent sci-fi TV series possibly written for this age group. (The next closest thing being the intelligent, yet non-sf "Freaks & Geeks".)
I'm not kidding. It's amazing how quickly these characters grow in the first season and their responses remain true to life despite the extraordinary situations they're thrown into. Creator Joss Whedon has become one of the most talented writer/directors working in the industry today, despite the fact that "Buffy" is most of what he's been doing for the last five years.
As far as what you get in this box set, you're in for a treat. This is the full first season, not just the half previously released on VHS; including the season finale "Prophecy Girl" - where we see just how heroic Buffy really is, despite her adolescence and fear of death. Also present throughout the series are teenage issues of emotional/sexual conflict ("Teacher's Pet") and problems with acceptance ("The Pack"). Specific highlights also include Whedon's commentary for the two part premiere as well as the first appearances of Angel (David Boreanaz) and Jenny Calendar (Robia LaMorte).
Remember, Buffy's not JUST about vampires. In fact I think it's safe to say that vampires are secondary to the emotional undercurrent of the show, if not a particular episode's plot. Forget "Felicity" and shove off of "Dawson's Creek", this is the one for the adults.

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INTO EACH GENERATION A SLAYER IS BORN. Now you can own the entire first season of BUFFY THE VAMPIRE SLAYER. All 12 classic episodes are available for the first time in this exclusive 3-disc collector's edition.From "Welcome to the Hellmouth," "The Harvest" and "Angel" to "Nightmares," "Out of Mind, Out of Sight" and "Prophecy Girl," these Season One episodes are a must for every true Buffy fan.

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4/29/2012

Buffy The Vampire Slayer - Volume 1 - Bad Girls/Consequences (1997) Review

Buffy The Vampire Slayer - Volume 1 - Bad Girls/Consequences  (1997)
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Faith was always an edgy character from the moment she was introduced on Buffy the Vampire Slayer. In "Bad Girls" she takes the first step over the edge and in "Consequences" she actually joins the forces of evil in Sunnydale by allying with the Mayor. However, the most memorable sequence on this entire tape is when Buffy and Faith are dancing together at the Bronze in "Bad Girls." That alone is worth purchasing this tape.

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4/24/2012

Buffy the Vampire Slayer - The Complete Third Season (1997) Review

Buffy the Vampire Slayer - The Complete Third Season (1997)
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Season three: How can the cast of Buffy even hope to top the glorious second season? Well, for starters the very first episode is great. In "ANNE", still hurting from the events that occurred at the end of season 2, Buffy tries to forget her past and lives in another town working a waitress job until a girl recognizes her and asks for her help. Buffy realizes who and what she is and returns to Sunnydale, where the Scoobies have been filling in for the Slayer's absence. Then there is the addition of a new Slayer, Faith (Eliza Dukshu...remember her in True Lies? All grown up!!) who appears in Sunnydale as a powerful ally for the Buffy and the scoobies. This is short-lived though, as she soon becomes one of their greatest threats. The foreshadowing of plotlines in the second season become apparent as this season's villain is introduced...none other than the mayor of Sunnydale, who is attempting to ascend into a true/pure demon.
This season boasts many of the show's strongest episodes such as "The Wish", where Cordelia unknowingly makes a wish to a vengeance demon (Anyanka, who becomes the Anya we all love to laugh at later) and wishes that Buffy never came to Sunnydale. This episode is grand, as we see an alternate reality where Buffy left California and never stopped the Master from rising and as a result, he succeeded in opening the Hellmouth. Truly one of the better episodes. We also are given a taste of foreshadowing in later episodes...Buffy's sister Dawn (to come in season 5) is mentioned in a glimmer of dialogue that will remain meaningless until two years later (can you find the episode? Hint...listen to both Faith and Buffy talk in the later epsiodes). Faith is terrific as Buffy's nemesis, a Slayer just like her.Oh, did I mention Angel returns from a hell dimension as well?
The scoobies get their own star time as well. In "THE ZEPPO", Xander proves that he is more than just the weak part of the group, adept at getting them donuts and not much else. In "THE WISH" and "DOPPLEGANGLAND", we get to see a Vamp Willow...very interesting and two of the season's best episodes. This season also brings us more of the Watcher's Council, the mysterious group that Giles works for including Wesley, who later leaves to aid Angel and Cordelia in Los Angeles in the spin-off show Angel. And finally, we get to see the Scoobies graduate in a very typical Sunnydale fashion...with a huge battle. It was hard to top season two, but this season is more of Joss Whedon's masterpiece of television; let people and critics shun it...we all know great TV when we see it.

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All 22 classic episodes are available for the first time in this exclusive 6-disc collector's edition. From "Faith, Hope & Trick," "Band Candy" and "Bad Girls" to "Consequences," "Enemies" and "Graduation Day, Part Two," these Season Three episodes are a must for every true Buffy fan.

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1/02/2012

Buffy The Vampire Slayer - The Complete Seasons 1-4 (1997) Review

Buffy The Vampire Slayer - The Complete Seasons 1-4 (1997)
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Many media and television critics have labeled BUFFY THE VAMPIRE SLAYER the new Star Trek, and there is a very real sense in which this will prove to be true: like Star Trek, Buffy is about to have as big or bigger an existence as when the show was in first run. There is a very, very simple reason for this: a gigantic number of people have mindlessly and dismissingly ignored Buffy, wrongly thinking it is just a show for teenagers. In fact, it is unquestionably one of the intelligent, funny, engaging, and brilliant shows in the history of television. Even at its peak, Buffy was able to catch only a very small amount of the viewing audience. All of this means: there are a lot of potential Buffy fans out there.
This set is perfect for either of two individuals. For those very small number of Buffy fanatics who for whatever reason haven't been able to afford the previous box sets, this will afford a remarkably inexpensive way of collecting the first four seasons. The list price for the entire set is only twice as much as the cost of the box sets of seasons 2, 3, or 4. This truly is an amazing bargain.
This should never have achieved television greatness, yet it did. When Buffy premiered, it seemed the height of folly to do a low-budget television show based on a mediocre film. It seemed obvious to many that no show produced by a fledgling network (initially the WB and later the even smaller UPN) with the words BUFFY, VAMPIRE and SLAYER in its title could be more intelligent, innovative, and superb than anything produced by the BBC, or HBO, or the broadcast networks. But one of the great things about Buffy is that it almost immediately began destroying all ones assumptions and misconceptions.
After the first season, Buffy began to eschew the format common to most TV shows where each episode contains a self-contained story, but instead opted for season long (or more) story arcs previously found in series like TWIN PEAKS, THE X-FILES, BABYLON 5, and the soaps. These long arcs are unquestionably a source of much the show's great power with fans, but it is also the reason that many potential new viewers were unable to get into the show. After a period of time, there was simply too much back story to pick up. This set should allow anyone to get the full Buffy experience, at least through the first four seasons. The show also broke with previous formats in combining comedy, romance, action, suspense, and realism in a degree not previously found on television. One episode might be primarily comedic, the next intensely romantic, another tragic, but most often one show would combine all of these. The show always did very poorly in Emmy nominations (despite being vastly better than any of the other shows nominated; that it didn't at the very least win every writing award is testimony to how absurd these awards are), and part of the reason is surely the fact that it fit uneasily in the established categories.
Season One is in many ways the weakest season in the history of the show, but it is nevertheless amazingly successful. Almost in the first fifteen minutes, the core characters have been introduced and the chemistry that would drive the central friendships established. The season primarily consists of self-contained episodes, though a few themes that go season-long and even into the second season are introduced. We meet Willow, Xander, and Giles, who form the heart of the Scooby Gang through all seven seasons of the show, along with Angel and Cordelia, who depart after season three for Los Angeles and Angel's own show. Despite an excruciatingly small budget, Joss Whedon (the creative genius behind Buffy and Angel) and his team achieve miracles.
Season Two is when the show achieves true greatness. The central story is that of the doomed love between Buffy and Angel, and there surely has been no more heart breaking pair of lovers in TV history. The show hits its full strike and rushes through a brilliant set of episodes, and along the way expands the cast to include Oz, who turns out to be a werewolf, and a pair of Sid and Nancy vampires, the platinum-haired Spike and his insane psychic girlfriend Druscilla. The final episode of the season is one of the most heart wrenching, and I defy any but the most hardhearted of individuals not to shed a tear or two.
Season Three picks up where the previous one left off, and instantly proves it is capable telling stories with astonishing virtuosity. The Gang is in its final year of high school and as befitting seniors, the problems they face are more emotionally challenging, and all are called upon to deal with fresh disappointments and problems requiring more mature reactions. A new major character, Faith the rogue slayer, is introduced, and story of her embattled relationship with Buffy is a story that extends for more than just the one season and just the one show, carrying over onto ANGEL as well.
In Season Four, Willow, Buffy, and Oz go off to college; Giles is unemployed (having previously been librarian at Sunnydale High), and Xander striving to find his way after high school. The season contains several superb episodes, including the highly acclaimed "Hush," performed with no dialogue for most of the show.
These first four seasons are almost beyond criticism they are so remarkable. I urge anyone who hasn't experienced Buffy to do so, especially those who considered themselves smart, savvy, and literate. If ever there was a show made for smart people, it is this one. Just get over the silly name and your misconceptions, and take the plunge. You won't regret it.

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